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Dinosaurs
Lydia Millet
2022
Vampire in Nineteenth Century Literature
Brooke Cameron
Exhibitionist
Charlotte Mendelson
Supergirl
Tom King
Total
Rebecca Miller
Transfiction and Bordering Approaches to Theorizing Translation
D. M. Spitzer
Metafiction
Yaël Schlick
Story Machines
Mike Sharples
Philosophy of Fiction
Patrik Engisch
Big
Vashti Harrison
Ciao Bella
Linda van Rijn
Posthuman Pathogenesis
Basak Agin
All is Bright
RaeAnne Thayne
Birdcatcher
Gayl Jones
Amour et l'Amitie Au Grand Siecle
Delphine Calle
Tribune et L'Echafaud
Lea Lebourg-Leportier
The Gift
B.A. Paris
Iron Curtain
Vesna Goldsworthy
The Haar
David Sodergren
Lacanian Fantasy
Kirk Turner
We Do What We Do in the Dark
Michelle Hart
Kick the Latch
Kathryn Scanlan
Sugar Street
Jonathan Dee
Final Strife
Saara El-Arifi
Sapphire Sunset
Christopher Rice
Don't Cry for Me
Daniel Black
Gone to the Park
Kate Freeman
Mercy Street
Jennifer Haigh
Love and Other Disasters
Anita Kelly
Ballad of Love and Glory
Reyna Grande
Harry Sylvester Bird
Chinelo Okparanta
Ophelia after All
Racquel Marie
Activities of Daily Living
Lisa Hsiao Chen
Chéri and the End of Chéri
Colette
Great Passion
James Runcie
Hazard
Frances O'Roark Dowell
Torqued Man
Peter Mann
Tides
Sara Freeman
Doloriad
Missouri Williams
World Cannot Give
Tara Isabella Burton
Nobody's Magic
Destiny O. Birdsong
Dark Earth
Rebecca Stott
Coldren's Prison
Kevin Gen
Black Lake Manor
Guy Morpuss
Oh, Great! I Discovered How to Cultivate a Farmer in 52 Easy Steps
Benjamin Kerei
His Grace, the Duke
Emily Rath
Fugitive Ambush
Jenna Night
A Minor Chorus
Billy-Ray Belcourt